Saturday, 6 June 2009

The Day They Tore The Dark Room Down - Part 2 of 3

Dante had been doing some research of his own. The Wikipedia entry on ‘demolition’ helpfully advised that it was the opposite of ‘construction’. He watched videos of buildings collapsing like they were stacks of playing cards and scanned the websites of demolition contractors who seemed to treat the specifics of their work as a closely guarded secret. Mostly what he turned up were 9/11 conspiracy theories, which were no use. He knew what happened there.

Gabriel brought him a beer and pointed out that it was seven o’clock, ‘Only a couple of hours till opening. If you’re going to close the place tonight you’d better decide.’


‘We never close,’ said Dante, although Gabriel already knew that. It was just wishful thinking.


Jenny’s band were already rehearsing their set...without Jenny. They would have to be good tonight. They would have to keep people distracted, maintain the illusion that The Dark Room was the safest place in the world to be. Keep the heart beating.


Gabriel was lining up shotgun cartridges on the bar, tossing away the empties he’d collected by mistake and grumbling under his breath.


‘If you’d rather go home…‘ offered Dante.


Wouldn’t miss this for the world,’ said Gabriel with much more sarcasm than he intended.


Jenny’s bass player, Molly, walked over to Dante with a kind of mock decisiveness that didn’t quite suit her casually nihilistic persona.


‘Where is she?’ she asked, lifting her watch to her face in one big, sweeping movement.


‘Talking to ex-boyfriends,’ said Dante.


‘She’s supposed to be here now! We wanted to rehearse the new songs.’


‘Maybe she’s doing more than talking’ suggested Gabriel, regretting it the moment Dante glared at him.


‘Look, if she isn’t here by the time we open I’m singing, okay?’


Dante and Gabriel both looked at Molly, unsure whether the idea was meant as a solution or a threat. They didn’t get chance to decide.


‘We’re fucked,’ exclaimed Jenny as she walked through the door, ‘They’re going to burn this place to the ground and I have no idea how to stop them.’


‘You mean you learnt nothing’ asked Dante.


‘Less than nothing,’ said Jenny, ‘Less than we knew before. We have no fucking clue what’s coming for us tonight. Could be a bloke with a sledgehammer, could be fucking Godzilla – we won’t know until it gets here.’


Dante took a moment to consider this as Django strolled in behind Jenny.


Preoccupied with her own thoughts too much to care, Molly stated, ‘I’m going to sing tonight. I’ve decided. Dante agrees with me’


Jenny looked across at Dante, ‘Jesus, you have to be the most insanely jealous person I’ve ever met. Is this some kind of punishment? You’re kicking me out of my own band?’


Dante wasn’t even listening. He turned to Django, ‘What do you think?’


‘I think we wait and see what happens,’ he said, ‘I’m excited.’


‘We can’t prepare for something we don’t know anything about,’ said Gabriel.


‘We can do our best,’ Dante decided, ‘We treat it like any other night, except I want the entrance and the bar clear. Whatever comes through that door we stop it before it gets into the main room. Jenny, you need to keep everyone down in front of the stage. I mean everyone.’


Jenny nodded, but it wasn’t good enough.


‘I’m serious. You have to be good tonight. Better than good. You have to be the best thing they've ever seen. They need to believe that what they're seeing and hearing is something unique and perfect and not to be missed at any cost'


‘I can do that,’ said Jenny.


‘So can I if you’d give me the chance.’ said Molly, but no one was listening.


-----

An hour later, Django was outside, waiting for it to get dark. Dante came out and lit a cigarette.

‘Not much happening yet,’ Django told Dante.


Dante nodded and smoked a while.


He was down to the butt before he asked, ‘What was he like?’


It took Django a moment to realise Dante was talking about Barry.


‘I don’t know,’ he said, stalling while he thought of the best possible answer, ‘He was like someone who moves bricks around for a living.’


Dante nodded again.


‘You’re not seriously worried about it, are you?’


Yes, he was worried. He worried that sometimes he couldn’t give her what a normal man could. He worried that the things he offered instead sometimes weren’t enough. He worried that they were too different to really stay together, but he worried about what would happen to him if they didn’t. He wanted her; needed her, more than maybe she realised. More than maybe he’d ever told her. And he certainly didn’t tell Django this.


‘Look, if it helps, she didn’t look at all happy about kissing him.’


Dante nodded, then processed what he’d just heard.


‘Pardon?’


-----

Jenny and the band were coming to the end of another new song. It wasn’t great, borderline rubbish in fact.

‘Fuck it, we’ll stick with what we know,’ she said decisively, ‘We can’t take any chances tonight.’


She’d forgotten about one thing.


‘Oh I see,’ said Molly, ‘You can’t sing the song I wrote so we won’t do it at all. That’s just great.’


Bobby sighed, knowing this wasn’t going to be pleasant. He glanced across at Laloo. She was staring at the ceiling oblivious, lost in the drumbeat that pounded a constant rhythm through her head whenever she was onstage.


‘It’s not about you, Molly,’ Jenny tried diplomatically, ‘The song just isn’t ready yet. We’re not ready to play it.’


‘Bullshit!’ shouted Molly, aiming her bass like it was a machine gun as she stormed over to where Jenny was standing centrestage, ‘It sounds fine, you’re not ready to sing it. Everyone else can do it, just not you.’


‘You’re not singing tonight and that’s the end of it,’ said Jenny, heading Molly off before she even got there.


‘Why not? I can do it! You know I can fucking do it – first time I played you the song I sang it and you said it was great.’


Molly’s eyes had started to glow green which was a sign she was getting angrier by the second and bad things were about to happen. Jenny turned Bobby for support.


‘What happened last time we let Molly sing in front of a crowd?’


‘I’m staying out of this,’ said Bobby.


But they all remembered. Molly got bad stage fright the moment there were more than two or three people watching. Mostly when she played bass she hid at the side of the stage, or made sure she was as close to being hidden as she could be without being completely off-stage.


The lights dimmed and one of Dante’s playlists came over the PA. They were opening. There would be people here soon.


‘Not tonight, Molly,’ said Jenny finally, ‘I’m serious. If we fuck up this set…’


‘What?’ asked Molly, ‘What exactly is going to happen if we mess this up?’


Jenny didn’t know.


-----

The regulars were already queuing up outside the door. Django scanned the line for anything unusual. There were a few faces he didn’t recognise, but there always were and he wasn’t great with faces anyhow.

It was pointless anyway – the ones who came to knock the place down wouldn’t be queuing. For all Django knew the earth could suddenly open and swallow the building whole. It was just as feasible as anything else he’d thought of so far. Maybe opening tonight wasn’t such a good idea. He knew what Dante would say –
‘We’re always open’. But if the building was going to be swallowed up by the earth wouldn’t it be better for all concerned if that building were empty?


There was a tugging at his arm and he looked down to see Sara, one of the regulars, staring up at him from behind dark glasses – even the moonlight was too bright for her.


‘Are you opening tonight or what?’ she asked.


She looked to him for an answer, as did everyone else in the rapidly expanding queue.


Django glanced at his watch, but he was just stalling. Then he heard Dante opening the door behind him. It was no use arguing. He stepped to one side and the regulars flooded down the steps and into the club.


-----

Jenny and the band stood in silence, staring into the dark as they waited for the right moment. She could see the first few people, drinks in their hands, making their way into the room. She whispered something into her hand, and all the way across the other side of the room, a girl heard it like it was whispered into her ear. And she turned to her friend and whispered the same thing, and her friend turned to the person next to her and whispered it again. And so word spread that a very special show was about to start.


The room filled up quickly then, people pushing eagerly to the front in anticipation of something wondrous, even if they didn’t know where that anticipation had come from. There were a few shouts from the back, from people who hadn’t heard the whisper yet, but they’d be okay – she’d have them once the music started. Otherwise it was completely silent.


She looked down at the front row, right into the eyes of the most excited members of the audience. They looked up into the blackness on the stage, unaware they were being watched.


Jenny spotted Gabriel at the back of the room giving her a wave – the majority of the people were in here now which meant it was time. As the music faded out she looked up to the balcony of the upstairs bar at the back of the room. Dante was standing there, watching. He nodded.


‘Now,’ she said.


Laloo tapped her drumsticks three times, then the stage exploded in light and colour as the band started to play.


-----

Django could hear Jenny sing from outside, and as always wanted to be in there listening, and watching her. The thought crossed his mind that he may never get the chance to do so again – that this could be the last night Jenny Ringo played The Dark Room. And as he was thinking this a man stepped towards the door.

‘Hold on,’ said Django, looking the smartly dressed man over, ‘What’s in the case?’


The man in the pin-stripe suit didn’t answer right away. Instead he pulled out a gold pocket watch, read the time, and said, ‘I’m late for an appointment.’


And Django knew he was the one.


‘Show me what’s in the case,’ he asked again.


The man sighed, then, ‘Here. I’ll show you.’


He laid the briefcase on the ground, entered a combination into the lock and opened it slowly. Django stared into a blackness that seemed to go on forever. Before he knew it he was falling into that blackness, and hearing the case snap shut behind him.


-----

Gabriel was alone at the bar. He could just about hear Jenny sing her siren song on but it was muffled by the earplugs he’d forgotten to give to his bar staff. He watched as they moved further and further towards the main room. It didn’t matter – better they were in there than in here.

He looked up to see a handsome, smartly dressed man in his early forties standing at the bar. He was carrying a briefcase.


‘What would you like?’ asked Gabriel.


‘I’d liked to see the proprietor,’ he said, ‘I have an appointment. He was notified by letter.’


Gabriel couldn’t hear a thing and was thankful when Dante stepped into view.


‘You’re here, then,’ he said.


The man nodded, then he moved over to a table upon which he placed the briefcase.


‘I’d like to start now, if I may,’ he said, ‘I’ll give you a moment to evacuate the building. If you don’t want anyone to get hurt that is.’


‘I can’t allow you to go through with it,’ said Dante, ‘Not until I’ve shown you what’s downstairs.’


‘I’ve seen your heart, sir,’ said the man with a smile, ‘It’s old and dying. It needs to be put out of its misery. We’re building a new heart. A better one. One that will beat with the screams of the helpless and pump the blood of the dying through the renewed arteries of a rejuvenated city.’


Dante considered this, then decided,
‘I’m afraid I still can’t let you do it.’

The man entered a combination and snapped the locks open.


‘You had your moment.’


And with that he opened the briefcase.


-----

Django couldn’t remember quite where the light had come from, but it was there, he could see it. He wasn’t sure if he’d fallen here, in which case he couldn’t remember landing, or just appeared, in which case he wasn’t sure how long he’d been here. There was light ahead, he could be sure of that. But when he decided to move towards the light he couldn’t be sure if he was physically walking or just moving. Did he even have a body anymore?

Before long there was enough light to confirm he did indeed still have a body and there was solid ground beneath his feet. Unfortunately the light itself was not the way out as he had hoped. It was simply an ancient looking streetlamp. The circle of gaslight only extended a few feet until it hit blackness again, but Django could see another light in the distance. He moved on. Better to stick to the light rather than strike off into the darkness – there were sounds of scuttling things out there. Sometimes he even thought he heard a kind of high-pitched giggle.


By the time he reached the third or fourth light he was starting to wonder where he was being led. By the seventh and eighth he had started to lose count. After a few more he started to wonder if the lights were taking him in a circle. He became more aware of this the further he walked, until he finally realised that it wasn’t a circle at all, but a spiral. And in the centre of the spiral he came across a large, brightly-coloured circus tent with lights strung around the perimeter. He had never been to the circus.


Django circled the tent once, making sure there wasn’t anything he was missing. There wasn’t, so he went in and immediately wished he hadn’t. There were people inside the tent. Lots of people. And they had all turned to look at him.


Ahead of him was a large, open ring surrounded by tiered seating that was rammed full of people. There were too many faces to take in any details – he noticed that some were smartly dressed, others in more outlandish attire, most did not look happy. There was a young woman standing in the centre of the ring and he realised with embarrassment that he had clearly interrupted some sort of act. She looked at him, her smile shimmering almost as much as her sparkly red dress. She was clearly waiting for him to take a seat so she could continue.


Django looked around anxiously for a space. He’d spied the one on the front row some time ago but didn’t like the idea of sitting so close – what if there was audience participation? When people started tutting he gave up the search and took the front row seat. The man next to him, a chubby, sweating gentleman in an even larger coat who appeared to be melting under the heat of the lights, gave him a knowing wink. But Django didn’t know anything.


There was a drum roll from the shadows. Django squinted – there were shapes there. They didn’t look like human shapes, but he didn’t have time to concentrate on the band – the woman in the ring was about to perform. She took a long sword from a barrel at her side and swallowed it to the hilt. The crowd applauded. It was true that Django had never been to the circus, but he had seen this before. He watched as she withdrew the sword in one fluid movement, much to the crowd’s amazement, then chose another, longer than the first. This continued for some time but as the crowd’s interest escalated Django found himself looking towards the band again. There were long, spindly legs in silhouette against the back of the tent moving with each drum roll, like some sort of insect.


By the time Django looked back to the ring the woman had in her hands a sword that looked to be quite clearly bigger than she was. He laughed, presuming it was a joke, but the melting man scowled at him. The crowd was silent. She lifted the sword, wavering slightly beneath its weight (was that for effect?) and slowly inserted the tip between her lips.


Django watched in awe as the sword slowly descended down through her throat, visibly widening her neck as it went. It was over sooner than he thought, the sword buried to the hilt. There was a glint of metal at the hem of her dress, between her legs. She span around, stripping off her dress as she did so and revealing that the tip of the sword had indeed emerged where Django had presumed it must have done. The crowd leapt out of their seats in approval, applauding and roaring with excitement. She turned around for them, unable to bow but clearly enjoying the applause.


The melting man nudged Django, clearly wondering why he wasn’t applauding like the rest of them. But Django was too busy staring at the floor beneath her feet, and the deep red blood that was dripping so frequently now the sawdust was no longer soaking it up. And he wondered if there would be clowns.


-----

Dante looked at the open briefcase, knowing that whatever was in there would be dangerous but not confident enough to act until he knew exactly what it was. The briefcase moved slightly, shunting half an inch towards the edge of the table, then back again. The smartly dressed man just watched, smiling, as he took another step back. Then something glinted as it rose out of the case and into the room.

The thin, sharp looking knife was followed by the normal sized hand that was holding it. The hand dropped the knife onto the table and grabbed the edge of the case to pull whatever its arm was connected to up and out. The body, probably about a foot long, was dressed in brightly coloured, oversized clothes with huge shoes on its man-sized feet. Like the hands and feet, the head was also regular size in contrast with the body, maybe even larger, and perfectly round like a bowling ball. The flesh was pure white, with brightly coloured make-up smudged over the eyes.


The teeth were perhaps the most distinguishing feature of the creature. When it opened its mouth to smile the red-painted lips stretched from ear to ear and parted to reveal a hundred or so teeth, each sharpened to a vicious looking point.


The tiny clown picked up its knife and leapt down off the table, giggling. It waddled across the floor towards Dante, lifting the knife as if to slash at his ankles. Dante didn’t let him get that close. He aimed a kick at the oversized head and sent it flying across the room. The clown hit a wall and slid to the floor, still giggling until it landed on its head with a bump.


Dante looked to Gabriel to see if he was missing anything. Gabriel looked as confused as he did and just shrugged. Dante turned back to the smartly dressed man expecting to see him packing up the case to leave.

But he wasn’t leaving. Another knife was emerging from the case, followed by another. There were more clowns.

-----

When they were halfway through their usual set Jenny started to think that maybe they would make it through the night without incident. They were playing at their best (despite the occasional glare from Molly), the crowd seemed to be enjoying themselves (although Jenny hadn’t really given them a choice), and she hadn’t seen anything suspicious from the back of the room. It was perfectly reasonable to believe that Dante had contained the problem without any issues (he usually did).


Then she noticed Gabriel standing at the side of the stage looking worried. She nodded at Bobby who immediately went into an over-the-top guitar solo – something she would normally never allow, which is why he leapt at the opportunity. Gabriel pulled Jenny backstage.


‘He needs your help,’ said Gabriel.


‘Why? What is it?’ asked Jenny.


Gabriel tried to say something, then, ‘You’ll just have to come and see for yourself.’


‘If whatever’s back there is as bad as you’re making out you need me here. I leave the stage that crowd are going to lose interest.’


‘Oh get over yourself, Jenny,’ exclaimed Gabriel, ‘You did your stuff, they’re hooked, let someone else have a go for a change.’


‘It’s not that simple. You have to ride the magic, like—‘


Jenny stopped as she realised the song was coming to an end. The crowd had started into a slow, zombie-like applause, clearly missing her already. But there was another sound over the applause and Bobby’s wailing guitar; a sound she had never heard before as long as she had known him. Dante was screaming.


Jenny turned to and shouted to Molly.


‘You’re on!’ she said, ‘Don’t fuck it up.’


Molly nodded, looking excited, until Jenny added, ‘I’m serious – we can’t allow even one person out of this room. That’s up to you now.’


Molly nodded again, then thought about what she would now have to do and shouted, ‘Wait! I can’t do it!’


But Jenny had already gone, leaving Molly to staring out at the expectant crowd as Bobby came to the end of his solo. She made wild hand signals in an effort to get him to drag it out. He saw her, but thought he meant for her to stop, so he did. Laloo continued to play until she realised Bobby and Molly had both stopped, at which point she stopped too. Molly played a few notes on her bass to fill up the silence, but they only made the silence seem bigger; more oppressive.


There were a couple of shouts from the crowd. She peered out into the darkness and saw movement among the shadows. They would start to leave soon, and then she’d really be in trouble. This wasn’t about her talent or Jenny’s ego anymore. It was bigger than that and it was all on her shoulders. So she stepped up to the mic.


She froze. Bobby saw it and immediately waved to Laloo to start playing something, anything to draw attention away from Molly. He started to play along – it was the new song, the one Molly had written, but still she didn’t sing.


Bobby walked over to Molly, ‘Jenny got them hooked, just keep them interested.’


Molly’s head nodded, but that was the most she could get her petrified body to do. Laloo and Bobby continued to play and Molly just watched as the people in the audience started to look at each other in confusion, wondering what they were doing there. Soon they would realise they didn’t have an answer, and they would leave. Molly almost wished they would get on with it – it would be over quicker that way.


-----

The next act was a skeletal man with a parasitic twin where his penis should’ve been, although the cynic in him wondered if the entire act was simply constructed from a dead baby and a lot of staples. Just when he thought he had decided on the latter the thing started to move.

‘He used to be one of mine’ said the melting man, guessing wrongly that Django was enjoying the show.


‘One of your what?’ asked Django.


‘One of my acts,’ replied the man holding out his hand, ‘Name’s Salo January. Call me Jan.’


Django shook the sweaty hand and was horrified to find it felt as moist to the touch as it looked. Maybe he really was melting.


‘Django,’ he said in response.


Jan prompted him for more but Django wasn’t really sure what he meant.


‘You only have one name?’ asked Jan, but before Django could respond, ‘Then you’re on the wrong side! This area is for promoters, like me. You should be over there.’


Django looked where Jan was pointing. The opposite side of the tent looked even more packed full of people than this side. On closer inspection he realised the majority of the people took up at least three times as less space as the people on Jan’s side. They were mostly skinny and wearing all kinds of ill-fitting clothes that may once have been bright and colourful but were now dull and dirty. Some carried props that gave away their acts, like unicycles or spooky looking dolls or armfuls of assorted sharp objects, presumably for juggling. Others carried complex-looking engines and contraptions the use for which was often not apparent.


‘I’m not one of them,’ stated Django.


‘If you’re not a promoter you’re an act,’ replied Jan, ‘And you don’t have enough names to be a promoter.’


Jan prodded Django’s belly, ‘You don’t have the right gear either.’


Django looked back at the ring. The parasitic dead baby twin was now taking a bow. He’d been wrong on all counts – it was the man who had been dead.


‘I’ve got an act,’ said Django.


‘I don’t care,’ said Jan, ‘Over here, we’ve already got acts. Here comes mine now.’


Django watched as the sword swallower he saw earlier squeezed passed other promoters to get to Jan.


‘Can I have it now?’ she asked eagerly.


Jan gave her a mischievous smile and said, ‘What happened to the finale? What happened to the rehearsal?’


She looked ashamed, almost scared as she replied, ‘It hurt. It hurt too much.’


‘Well I don’t know about that,’ said Jan, ‘You’ve done better.’


‘I thought it was great,’ said Django, but Jan shot him a disapproving look.


‘I’m sorry,’ said the sword swallower, ‘I’ll try harder next time.’


Jan looked at her for a moment, then nodded. Her face lit up as he opened his coat, revealing a sweaty, blubbery belly beneath. Django noticed Jan’s belly-button protruded about an inch from the flesh, forming a stiff cone of wrinkled flesh. There was some kind of fluid, purple in colour, dribbling from the end.


The sword swallower dropped to her knees and clamped her lips around the protrusion, her eyes rolling up into her skull as she drank the purple fluid. Jan closed his coat over her, prompting Django to take another look at the crowd around him. This time he noticed that many of the obese promoters had their coats buttoned up over human-shaped bulges that bobbed up and down with a steady rhythm. He turned back to Jan slightly horrified, but Jan clearly mistook his horror for disappointment.


‘Okay, show me your act,’ he said, ‘I can’t help you, but if you want to show off your act go ahead - I won’t tell anyone you’re not supposed to be here.’


Django didn’t want to show him his act anymore, but a couple of other promoters had turned to look at him now and he had a feeling this was a rare opportunity. He lifted his wrist to his mouth and bit into the flesh, hard. After some gnawing he drew blood and held the wrist out for the onlookers to see. A thick black jet of blood spurted a couple of feet into the air, then froze, solidified and slithered back into Django’s flesh, closing up the wound on re-entry.


There was a moment of silence while Django tried to read the expressions of the faces around him.


‘Mine can do that,’ said one.


‘Mine too,’ said another.


Django looked to Jan, fearing the worst.


‘Not like that they can’t,’ said Jan, clearly astonished, ‘If you’re looking for representation...’


‘I’m not,’ said Django, ‘I just want to get out of here.’


Jan pointed to an exit behind him. There a promoter, much skinnier than the others, was opening his coat. A healthy looking, plump performer emerged, purple fluid running down his chin. The performer shook the withered promoter’s hand and walked out through the exit.


‘That’s the only way out,’ said Jan, ‘You perform for long enough you’ll be strong enough to leave.’


Django thought about this and decided he didn’t really have any other options. There were rules governing this world that he didn’t yet understand and he had always believed that you can’t bend or break a rule until you understand why it’s there. He did consider making a run for it, but when the slit in the tent had been pulled to one side for the performer to exit all he had seen was darkness. It was a way out of the circus but he was not convinced it was the way home. Not yet anyway.


‘Fine,’ he said, ‘Then you’ll take me on?’


‘I can’t possibly take on any new clients at the moment,’ said Jan, motioning towards the bobbing bulge beneath his coat, ‘But I know a man who can.’


-----

Saturday, 30 May 2009

The Day They Tore The Dark Room Down - Part 1 of 3

‘I still like Bathory’s Loving Trio,’ said Bobby in yet another attempt to rename the band ‘It sounds kind of dangerous--’

‘Dangerous like a sandwich,’ replied Jenny, beginning to regret ever challenging him to come up with a better name than hers, ‘Besides, there’s four of us.’

‘Exactly! There are four of us!’

‘That’s what I said.’

Jenny looked optimistically up at the screen above the platform – still a couple of minutes until the next train, which unfortunately gave Bobby time to explain himself.

‘No, see that’s what people will think it means,’ Bobby started, ‘but the trio part doesn’t refer to how many of us are in the band.’

Thankfully the sound of the train roaring into the station drowned out Bobby before he could explain what exactly the trio part of his genius new band name did refer to. After an eight hour rehearsal Jenny could barely string two words together, but lack of sleep and exhaustion seemed to work the opposite way for Bobby than it did for everyone else. It wasn’t the only thing that was different about Bobby Eck.

Not having a face was a big difference. His whole head was featureless – no hair, no eyes, nose, mouth, ears…he was a surprisingly good guitar player considering he had no ears. Jenny had made him a mask out of electricity and rhythm that worked well enough for him to be seen out in public. As a result looking at Bobby was kind of like looking at someone through a camera that’s out of focus – you can see that it’s a face but you can’t quite make out any features. Luckily they lived in London, where no one looks anyone in the eyes anyway so it didn’t matter that there were no eyes to not look into.

When they stepped onto the train Jenny realised what time it was – 6am. Laloo, their drummer, had the best rehearsal space and couldn’t be bothered lugging her drums across town anyway so they always went to her’s. Unfortunately she also lived the wrong side of the river and Jenny and Bobby often ended up heading back into the city at this time of the morning – commuter time.

The train was packed full of smartly dressed men and women in suits, some reading newspapers but most studying countless pages of stapled reports. Jenny had worked in offices – she knew how that world of money and bureaucracy worked. Some of them were probably people like her, well, like she used to be. Then again, this was the early-bird crowd – the ones who would be in the office for 7 and then wouldn’t leave until midnight. Then they’d go out on Fridays, get fucked up on coke and cocktails, spend Saturday puking blood and cum and be back at work by Sunday afternoon. That was the life.

‘What do they all do?’ asked Bobby.

It was a good question, one that Jenny had also been pondering, but did Bobby realise he’d said it out loud? The way he was leaning over the shoulder of the woman next to him to read her report suggested he did realise and he intended to get an answer.

‘Excuse me, what’s your job?’

The woman ignored him – the first stage of the regulation response to communication on the tube. The second was turning away, then maybe she’d throw him an evil look and finally she’d move down the other end of the carriage. That was if Bobby pressed his enquiries to that point and Jenny nudged him in the hope that he wouldn’t.

Bobby turned away from the woman, but he wasn’t done. He was looking for a more responsive target. He found one – a large, burly man who looked like he’d inflate to twice his already substantial size if his shirt buttons were undone.

‘You, sir. What is it that you do?’ Bobby continued.

The man just stared at Bobby, skipping stages one and two and going straight for the evils. But Bobby’s out-of-focus face confused him so he moved back a stage and turned away.

‘Bobby, stop,’ pleaded Jenny quietly, ‘They’re in commuter mode, you won’t get an answer.’

Bobby continued to scan the faces of the commuters on the train for his next victim. One of them, a thin, handsome man in his mid-forties with a briefcase on his lap, was looking straight back at Bobby almost daring him to ask the question.

Bobby went for it, ‘How about you? What’s your job exactly?’

‘I’m a bricklayer,’ he said, with a straight face.

This made Jenny laugh, mainly due to the effect on Bobby who was lost for words for the first time that day. She looked at the man more closely this time. He was good looking for his age, and seemed a little more at ease than his fellow commuters, although he clutched his briefcase between both hands as if his life was in there. Then his eye’s met her’s for an instant and she found herself thinking of Dante.

-----

The man from the council wasn’t even looking where he was going, let alone looking Dante in the eye when he told him they were tearing his nightclub down. Dante was used to this – they had been trying to clear him out ever since he signed the lease. The fact that the building was old and ugly perplexed their computers. They could do so many things with it if they were allowed.

They were not allowed. Dante had signed an agreement that said so, and it didn’t matter that he had the only copy, that the officials who put that agreement together were long dead, that it was written in a language that was no longer recognised and referred to laws that had been in effect since the dawn of time and had been forgotten for just as long. It was an agreement signed in the blood of the earth by the blood of the earth. And if they knew what would happen if he broke that promise they would not be trying to shut him down.

‘I’ll show you,’ Dante offered. Worth a try, ‘I’ll show you why we have to stay here. It’s not far.’

‘No, thank you,’ was the response ‘I was just supposed to give you notice, that’s all, I’m leaving now.’

As the man from the council scuttled towards the door Dante considered reaching out and grabbing him, digging his thumb and forefinger into the neck at the base of the skull and then ripping his spine out, fully intact, with the brain bobbing around on top…

‘What’s that you got there?’ asked Gabriel, lugging a stack of crates over to the door.

Dante looked at the thing in his hand that Gabriel was referring to and was rather disappointed to see the letter he had been given and not the man from the council’s spine.

‘They’re knocking this place down,’ said Dante.

‘Again?’ Gabriel dumped the crates and snatched the letter from Dante’s hand, ‘They bloody well are too. Didn’t you show him downstairs?’

‘He didn’t want to see.’ Dante watched the door shut behind the man from the council, trying to convince himself this was okay, ‘Maybe we can convince the men with the machines.’

‘Do they use machines? Don’t they just blow things up?’

Dante thought for a moment.

‘I honestly don’t know.’

-----

Django was up on the roof, looking out over the city, or what you could see of it from on top of the club. Technically it wasn’t even the roof of the club – it was the roof of the archive building that sat on top of the club. The long abandoned archive building that didn’t archive anything much anymore. It was a wonder they hadn’t knocked it down. So there he stood, staring across at two building sites, wondering how they worked.

One of them wasn’t a building site anymore. It was a fully finished building now. It still had the condom of scaffolding wrapped tight, still had the odd builder wandering around on a fag break, but it was there, it was done, it was finished. It wasn’t finished yesterday, he swore it wasn’t. It had sprung rapidly into its erect state overnight, prompted by the gentle touch of…of what?

‘Dante wants to see you,’ Gabriel stepped up behind him and said, ‘There might be some trouble tonight.’

‘There’s always trouble tonight,’ replied Django, and then ‘Do you know how buildings work?’

Gabriel looked at Django for a moment, considering how best to reply.

‘I don’t know. It’s all pipes and wires and stuff. Go ask a builder.’

Django gestured to the skyline, ‘Doesn’t it worry you that you don’t know where all this came from?’

‘I can see where it came from,’ said Gabriel, pointing at a couple of workers on a lunch break in the scaffolding of the unfinished structure, ‘They’re built by overweight, chain-smoking monkey-men like that lot.’

‘They’re not though, are they?’ argued Django, ‘I’ve been watching them. They just sit there all day, talking. Then sometimes a man in a suit comes and they pretend to move bits of scaffolding round.’

‘Well they must work sometimes.’

‘I’ve never seen them build anything, and I’ve really looked. See that one?’ Django pointed at a third, brand new office building on the horizon, so new it was only out of its steel chrysalis, ‘It was a building site for weeks. No progress, nothing. Then one day I come up here and it’s all done. Finished. Just like that. As if it was built overnight. How does that happen?’

Gabriel was just trying to decide if Django’s innocent curiosity was endearingly cute or just rather annoying.

‘I don’t know,’ he said, deciding it used to be cute and had since become annoying, ‘All I know is that Dante needs to see you right now because there really is trouble this time.’

‘What kind of trouble?’

‘They’re knocking the place down,’ said Gabriel.

Django shrugged and turned back to the buildings. They worried him. Sometimes the city felt oppressive, with all the buildings closing in around him, new ones being put up every second. If he knew how they were built maybe he’d understand how they worked and maybe then they wouldn’t seem so terrifying in their masses.

A thought occurred to him, ‘Do they send the same people who build the things to knock them down?’

Gabriel had given up and was already heading back down into the building. Django looked back one last time at the builders. As if they knew they were being watched they had started to move bricks from one pile and stacking them somewhere else. Django hoped they didn’t have to knock the things down. It was depressing to think they might spend half their lives creating things and the other half destroying them. That’s if they even did create the things in the first place.

-----

The meeting was in full swing by the time Jenny arrived, if you can say that about three people sitting around a table in confused silence. She’d only managed to grab a couple of hours of sleep at home before Dante had called and asked her to come over early and she was not in a good mood. Jenny didn’t like getting involved in the day-to-day running of the club. Technically she was on the payroll and if she was free she worked behind the bar. But tonight she was playing a show, and when she was playing a show she liked to pretend she was just visiting The Dark Room rather than spending every waking moment in there.

She kissed Dante on the cheek as she sat down next to him and he smiled, which made her forget all about being tired. He only smiled for her.

Django and Gabriel were sitting at the table also, Gabriel looking more tired than she was, presumably having not slept since the previous night, and Django looking as perpetually perplexed as always.

Dante handed her the letter from the council.

‘They’re knocking us down,’ he said.

‘Is that all?’ replied Jenny, starting to get annoyed again – this better have been worth getting out of bed for, ‘They’re always knocking us down. We’re still here aren’t we?’

‘Dante thinks they may be serious this time,’ said Gabriel.

Jenny scanned the letter. It looked serious.

She asked the obvious question, ‘Did you show them downstairs?’

‘He was just the messenger,’ said Dante, ‘They’re sending their men over tonight.’

‘Possibly with machines,’ added Gabriel, ‘We don’t really know.’

‘They’re coming at night?’

She checked the letter for her answer. It stated quite clearly that the building was scheduled for demolition at midnight.

‘It must be a mistake,’ she decided.

‘I don’t think so,’ said Dante, ‘I think maybe they’re not sending the regular crew this time. We’ve been through that before. We’ve shown them what’s downstairs and they never come back. I think they’re sending something else.’

Jenny thought about this for about as long it took for another, more relevant thought to replace it.

‘What’s this got to do with me?’

There was a moment of silence. The others seemed to be looking to Dante for the answer.

Then Gabriel said, ‘You fucked a builder once.’

Jenny glared, first at Gabriel, then at the estimated source of the revelation.

‘That’s not what I said,’ protested Dante, ‘I said you were once courting someone in the construction industry and perhaps he passed on some knowledge of how these things work…’

Jenny knew who he meant, but still had to think for a moment, until she had the face, then the body and then finally, ‘Barry?’

‘Yes, Barry,’ nodded Dante, ‘Barry the builder.’

‘That was years ago. How do you remember stuff like that?’

‘Did he ever say anything about knocking things down?’ asked Dante, avoiding the question, although Jenny already knew how. The fact that he had an almost encyclopaedic knowledge of her former lovers made her feel both secure in his jealousy and slightly disturbed by his possessiveness.

‘Gabriel was closer,’ answered Jenny, ‘We fucked once. During that fuck I never thought to ask about the exact details of his profession. Anyway, he was a builder, not a…what do they call people who demolish buildings? A demolisher?’

‘We don’t know,’ said Gabriel, ‘That’s why we’re presuming it’s builders what do it.’

Jenny thought carefully before she said, ‘I could call him.’

‘You still have his number?’ asked Dante, which is exactly why Jenny thought carefully before she said it.

Then Django asked, ‘What’s downstairs?’

-----

Down in the cellar Django immediately wished he hadn’t asked. He’d been down there before – Gabriel sometimes had him changing the barrels if it was quiet on the door – but he had never liked it. There was something in the dark, something alive. Worse, it felt familiar and reminded him too much of his own otherness.

Dante led Django over to the damp, brick wall at one end of the room. He snapped open his lighter and moved the flame towards a small opening in the brick, just large enough for a fist.

‘Put your arm in there,’ he said.

‘Fuck off,’ he laughed nervously, ‘You put your arm in there!’

Dante just stared at him. Django was beginning to learn that was what Dante did when he wanted something. He would stare at you, looking vaguely disappointed until the silence became unbearable. He often wondered if that was how he had convinced Jenny to be with him.

As if catching the thought Dante changed tactics and said, ‘Just do it.’

Django pushed his hand tentatively into the hole. It was wet inside and he felt something crawl over his fingers.

‘Go on.’

Django pushed his hand in further, up to the elbow. The inside of the hole seemed to be getting more and more damp the further he pushed his arm inside. Then his fingers found something soft. He looked to Dante for approval.

‘Push it.’

Django pushed his hand into the soft, fleshy growth inside the wall, and the wall gasped. Slowly, the bricks began to move inward, widening the opening as they did so, only stopping when it was wide enough for a man to enter. The only sound inside the black was the heavy breathing of the wall, or what lay behind it.

‘After you,’ said Dante.

Django stepped through the hole and into the darkness the other side. Then he stopped. There was another sound, very faint, but there all the same. It sounded like the beating of a heart.

‘What is that?’ he asked.

‘It’s what I needed to show you,’ replied Dante, ‘It’s the heart of the city.’

-----

Jenny had to practically hold Django’s hand as she led towards Holborn tube. And he hadn’t even seen the heart of the city. The sound of it beating had been enough.

‘Jesus, it’s just a big fucking heart,’ she said, ‘Like what we’ve got, only massive.’

For a moment it was like Django hadn’t heard a word she said, for more than a moment even, then finally, ‘But what’s it connected to?’

Jenny looked up at the sky, at the buildings towering over them.

‘All this,’ she said, ‘It’s connected to all of it.’

Django also looked at the buildings.

‘Is that it?’ he asked, ‘Do they just grow, like people do?’

Jenny had expressed some confusion at Django’s decision to accompany her on the visit to Barry the Builder, but Gabriel had helpfully explained Django’s fascination with buildings. Unlike Gabriel, she did still find Django’s lack of knowledge and therefore cynicism somewhat endearing. To a point.

They didn’t speak again until they crowded into a packed lunchtime train, Django thinking about where buildings came from and Jenny preoccupied with thoughts of lost loves. Had she loved Barry the Builder once? Would it ever have worked out? Could she have married a builder by now and be living in a house built to order with three kids and a flatscreen TV?

Django broke the thought in two, ‘Each station is right next to the next one; in the dark, London belches dirty air and heat, rattling our carriages for its amusement before we emerge just metres away from the space we left in a place unrecognisable every time you visit.’

‘What’s that from?’ asked Jenny, guessing that he was quoting something.

Django look confused for a moment, then, ‘One of your songs?’

Jenny shook her head, ‘I like it here.’

‘Maybe it came from the heart,’ he suggested, then looking her in the eye, ‘Does Dante scare you?’

His childlike way of switching topics without warning never failed to confuse or unnerve her.

‘He scares everyone,’ she replied.

-----

They resurfaced at Liverpool Street and walked half a mile to the brand new office building where Barry the Builder was working. She had to call him to get him to meet them outside the site. He kept them waiting about fifteen minutes then stepped casually out through a door in a temporary wall – so overly casual it was almost as if he’d been waiting there the whole time. He had cultivated a rather dubious moustache, which made Jenny happy. He looked like he’d stepped off a porn set – far too ludicrous to qualify as an actual regret.

‘This your new bloke then?’ he said, looking at Django.

‘Yes,’ said Jenny. It was easier that way.

Django shook Barry’s hand, looking at him in awe like a child seeing the fake shopping centre Santa Claus for the first time. What wondrous secrets you must have, he was saying with his eyes.

‘We want to know how you build things,’ she said, wanting to get this over with, ‘Or more specifically, how you go about knocking things down?’

Barry looked at her for a moment, then asked, ‘Do you want a tour?’

Django nodded eagerly. They followed Barry inside where he showed them piles of bricks and occasionally scaffolding. They watched other builders move stacks of bricks and occasionally scaffolding from one end of the site to the other. It all looked like hard work but Django noted that he had yet to see anything actually getting built. Jenny wanted to go up higher but Barry told her it wasn’t allowed. This was fast becoming a wasted trip.

‘Fancy a cuppa before you go?’ asked Barry.

One last chance, thought Jenny.

While Barry was boiling the kettle in the portacabin Jenny discreetly searched the fridge and hid the milk in a filing cabinet. When Barry left the cabin to get more she stuck a needle into her palm and bled a little into the boiling water. Django watched, about to say something.

‘Shut the fuck up,’ said Jenny, ‘Don’t drink the tea and don’t say anything weird, okay?’

Django nodded, as Jenny reached into her bag and added a pinch of organic matter and a few strands of glowing fibres into the mix. Then she shook the kettle like a cocktail and put it back down seconds before Barry re-entered, waving a carton of milk victoriously.

Minutes later Django was staring at his tea suspiciously, as Barry necked his. Jenny nudged Django and he tried to play along a bit more, sipping air from his mug. Jenny was chewing something that made her teeth black.

‘I’m sorry, Jen,’ said Barry, ‘There’s not much I can say. You’ve seen what it’s like out there. Madness. Building, that’s what I know. Fuck knows how they knock the things down.’

Barry hesitated for a moment.

Then, ‘Fuck knows how they knock the things down… Fuck knows—‘

Jenny leant over the table and kissed him, clamping her lips over his and forcing her tongue down his throat.

Django stood up, uncomfortable, ‘I’ll leave you to it.’

Jenny pulled away suddenly, a black, sticky goo stretching between her mouth and Barry’s.

‘Sit down,’ she said, ‘Barry wants to tell us a story.’

Barry nodded. The black goo from Jenny’s mouth was evaporating into a thick grey smoke that forced its way down Barry’s throat, no doubt mingling with the contaminated tea.

‘Go on, Barry,’ Prompted Jenny, ‘You want to tell us what you do here all day.’

Barry just sat and stared at her, or more specifically at the space over her head.

Jenny turned to Django and ordered, ‘Get him another cup of tea.’

Django was about to do so when Barry said, ‘We don’t do anything.’

‘What do you mean?’ asked Jenny, ‘You must do something.’

‘You’ve seen what we do. We start late, we finish early. We move things. We go on breaks,’ he paused, then, ‘We pretend.’

Jenny paused, taking this in, then asked, ‘Who builds the things then?’

‘We never see them,’ replied Barry, ‘We get told about a job through the post and we turn up and look like we’re busy. We all know the routine. Read a paper, smoke a couple of fags, watch the girls walk by, move a brick here and there - it’s an easy life for good money, so we don’t complain. ’

Jenny looked at Django to see if he was as perplexed and surprised as she was. He wasn’t. She turned to Barry again.

‘But where did you learn the routine?’ she asked.

‘We all start as apprentices. You learn the basics, moving stuff, when to have your breaks. One day you ask, “Is this all there is?” And the boss nods, and you carry on with it.’

Jenny was about to continue when Django nudged her – there were more builders approaching.

Moments before the door opened she popped something that looked like a peanut into Barry’s mouth and tipped his head back. There was a sound, like air escaping from a tyre.

‘You off then?’ asked Barry.

-----

As soon as they were off the site Django started straight into his questions. Only they weren’t the questions Jenny was anticipating.

‘Do you do that to a lot of people?’ he asked, ‘Have you ever done it to me?’

‘No,’ she replied, ‘It takes a lot of prep and it doesn’t work on everyone. Sometimes it makes people crazy. Barry couldn’t be crazy if he tried so I guessed it was safe.’

‘And you’re sure you’ve never done it to me?’

‘No!’

‘No, you’re not sure, or no…’

‘Did you hear what he said? It’s all pretend! They just sit around all day and someone else builds the things.’

Django considered this for a moment, then, ‘I thought that was probably the case.’

Jenny gave up, deciding to focus instead on how she was going to explain this to Dante. All they had managed to learn was that it probably wasn’t going to be a man with a machine on his way to the club that night. It would be something else.

-----

Thursday, 12 February 2009

Enter at your own risk...


FADE IN:



EXT. LONDON. NIGHT.


Various shots of the city at night.


DANTE

(V.O.)

Those of us who live in the dark have our music...



EXT. STREETS. NIGHT.


Various NIGHT PEOPLE, dressed in black, are making their way along an empty street.


DANTE

(V.O.)

...and sometimes we need to dance.


One of the Night People passes us, revealing glowing red eyes on otherwise human features.



INT. THE DARK ROOM, MAIN ROOM. NIGHT.


The main room of a large, old night club. We are standing behind DANTE, a tall, thin man in his late thirties. He is always smartly dressed, always in black and rarely smiles.


DANTE

(V.O.)

So I opened a nightclub over the heart of the city...


Dante flicks a light switch, plunging the room into darkness.



He then flicks another switch that turns on a dozen or so dim blue lights that provide minimal illumination.



EXT. THE DARK ROOM, ALLEYWAY. NIGHT.


A narrow, grubby alleyway off a busy street. There are stairs at the end of the alleyway leading down.


DANTE

(V.O.)

...A place where the shadows are dark enough to hide us from the world...


The Night People are gathering in the alleyway, now numbering a hundred at least, with more joining them.



There is something slightly odd about each of them - some have animal-like eyes, some have small horns, others have more outlandish mutations.



INT. THE DARK ROOM, STAGE. NIGHT.


An attractive young woman in her late twenties is onstage at a piano. She is wearing a ragged black dress, her hair is streaked with red and purple, and she has an intricately detailed tattoo running the length of her right arm. This is JENNY RINGO.


DANTE

(V.O.)

...and the music is loud enough to make us forget what's out there.


Jenny PLAYS a couple of notes on the piano, then waves her hands over the keys and the piano starts to PLAY itself.



INT. THE DARK ROOM, BAR. NIGHT.


Dante walks through the bar area.


DANTE

(V.O.)

We get complaints. Sometimes people like you come to shut us down.


The bartender, GABRIEL, is a tall, well-built viking of a man in his early forties with a mane of blonde but greying hair. He wears all black except for the large gold crucifix around his neck.



Gabriel nods to Dante as he walks past.



EXT. THE DARK ROOM, STEPS. NIGHT.


There is a door at the bottom of the steps with a queue of Night People waiting outside.


DANTE

But we have adequate signage - over the door it says 'enter at your own risk'.


Over the door it does indeed say 'Enter at your own risk'.



Dante opens the door and lets the eager Night People inside.



EXT. THE DARK ROOM, ALLEYWAY. NIGHT.


Dante walks into the alleyway as the last of the Night People disappear down the steps. He lights a cigarette and takes a look around.


DANTE

(V.O.)

As far as I'm concerned that absolves us of everything.


EXT. OFFICE BUILDING. NIGHT.


We are outside a large office building at night.



INT. OFFICE BUILDING, CAMILLA'S OFFICE. DAY.


A large, private office. CAMILLA, a smartly dressed, attractive woman in her late twenties, is sitting a desk.



The door opens and another office worker, JESSICA, steps in.


JESSICA

Are you coming or what?


Camilla switches off her computer.


CAMILLA

Where's Django?


JESSICA

You didn't invite him, did you?


INT. GENTS TOILET. NIGHT.


DJANGO is staring at his reflection in the mirror. He is in his mid-twenties and wears a shirt and tie but everything is a bit scruffy and slightly out of place.



CLOSE ON Django's reflection as the veins on his face begin to show through, only they are black and prominent.



The visible veins spread out across his cheeks as he stares. He seems to be concentrating fiercely, trying to force the veins back into hiding.



A door opens and a male office worker, RALPH, steps in.


RALPH

Hurry up, mate. They're all waiting!


Django turns around, his face suddenly normal.



EXT. OFFICE BUILDING. NIGHT.


Six office workers step out of the building.



The women are Jessica, Camilla and HELENA.



The men are Ralph, TOBY and Django.



They simultaneously retrieve cigarettes from shirt pockets/handbags and light up, except Camilla who plucks her cigarette from Django's mouth, which he doesn't seem to mind.



A dozen or so OFFICE-WORKERS swarm out of the doors behind them and head off along the road.


TOBY

Ten o'clock on a Friday night and those wankers can't wait to get home.


HELENA

It's two weeks til pay day, Toby.


Camilla produces a credit card from her purse.


CAMILLA

And they don't have the company credit card.


Camilla drops her cigarette down a drain.



We follow the cigarette down into the darkness.



INT. SEWER. NIGHT. - CONTINUOUS


Still following the cigarette we descend into a complex sewer system.



The cigarette is carried along by a stream of waste then disappears through a crack in the wall.



We follow.



INT. TUNNELS. NIGHT. - CONTINUOUS


The crack opens out into a tunnel into which a trickle of waste flows. The tunnel should be pitch black, but there is a moving light source coming from somewhere.



We focus on the cigarette as it comes to rest against a rock.



There is the sound of something MOVING. Behind that, there is a dull, continuous THUMP, like the beating of a heart.



A large, arachnid leg STAMPS on the cigarette. The SPIDER-LIKE CREATURE it belongs to scurries off into the dark before we can make out any features beyond the fact it is the size of a horse.



Then we come face to face with the lightsource - a bloated, SLUG-LIKE humanoid, with huge glowing eyes like those belonging to deep sea fish.



We move further through the tunnels, past more CREEPING THINGS in the dark. We hear them MOVING, we see their shadows, but thankfully rarely see them face to face.



Then we start to ascend. There is MUSIC in the distance that gets louder the closer we get to:



INT. THE DARK ROOM, BAR. NIGHT. - CONTINUOUS


We emerge through a crack in the floor into the bar area of an underground night club. The music increases SHARPLY in volume as we enter the room and come to rest in view of a large sign above the bar that reads:


'THE DARK ROOM'


Gabriel hands a couple of drinks to a YOUNG GIRL who winks at him as she walks away. Gabriel isn't paying attention, more concerned with two MEN at the other end of the bar who seem to be arguing.



INT. THE DARK ROOM, UPPER BAR. NIGHT.


Dante is sitting at a table overlooking the main floor of the club. There is another MAN next to him but he is in shadow.


DANTE

Sometimes regular people come in here. And sometimes they get into trouble. When they get into trouble we have to hide the bodies.


There is a flash of something silver moving between them.


DANTE

We have good hiding places.


INT. THE DARK ROOM, BAR. NIGHT.


A handsome, smartly dressed young man wearing a crimson suit walks behind the bar and grabs himself a drink. This is ERIC.


GABRIEL

You're not supposed to drink on duty.


ERIC

What are you going to do about it?


Gabriel turns away from the arguing Men at the bar for a moment to face Eric with a smile. He puts an arm around Eric's waist and pulls him in close.


GABRIEL

You'll have to wait until I get you home.


Gabriel and Eric kiss.



Eric pulls away suddenly, seeing something horrifying over Gabriel's shoulder. Gabriel turns to see the two Men have come to blows. But one of them isn't a man anymore.



The smaller of the two Men is being physically and bloodily ripped to pieces by a LARGE SPIKED CREATURE - the same Man that was there before, only now long, bone-like spikes have pushed through his flesh, which he uses to impale and dismember his SCREAMING victim.


GABRIEL

Get Dante.


ERIC

What are you going to do?


GABRIEL

Just go and get Dante, now!


Eric runs.



INT. THE DARK ROOM, UPPER BAR. NIGHT.


Eric steps into the upstairs room. It is dark and the tables are empty except for Dante's.


DANTE

I can't let you shut us down. These people need somewhere to go.


Eric COUGHS and Dante leans into the light to look at him.


DANTE

Is there a problem?


Eric takes a step forward, then notices Dante pulling something from the throat of the other Man.



There is a sudden, rapid spray of blood as Dante pulls out the knife.


ERIC

I'll go see Jenny.


INT. THE DARK ROOM, BACKSTAGE. NIGHT.


Jenny is standing at the stage door, peering through at the BAND coming to the end of an intro.



Eric runs over and grabs her.


ERIC

We've got trouble at the bar.


JENNY

Fuck off, I'm on in a minute.


ERIC

Gabriel's on his own over there!


JENNY

So get Dante.


Eric's face drops.


ERIC

Can't you just--


There is a loud CHEER from the CROWD.



Jenny blows into her hand then opens it, revealing a hovering, flaming ball of energy.


JENNY

Best I can do.


Jenny tosses the ball to Eric then steps through the door onto the stage.



Eric tries to catch the ball but it burns his hands and he ends up dropping it.



INT. THE DARK ROOM, STAGE. NIGHT.


Jenny picks up the mic and starts to SING along with the Band as the Crowd SCREAM their approval.



INT. THE DARK ROOM, UPPER BAR. NIGHT.


Returning upstairs, Eric shuffles gingerly over to Dante's table. Dante is watching Jenny perform on stage with the Band. We can hear her SINGING.


ERIC

Excuse me...Dante? There's a problem...downstairs.


DANTE

Gabriel can handle it.


ERIC

I'm not sure that he can...and anyway it's not his job.


Dante stands up suddenly, making Eric jump back a few paces.


DANTE

Do you think he'll die?


Eric nods, getting upset.


DANTE

Promise me something. Promise me a part of you.


ERIC

I...I don't know what you mean...


DANTE

A part. Like a finger. A hand maybe? Whatever you think he's worth.


Eric looks at Dante, terrified.



INT. THE DARK ROOM, BAR. NIGHT.


Dante and Eric enter to see an exhausted Gabriel beating the Spiked Creature's head in with a baseball bat. He is covered in bleeding gashes from the spikes.


DANTE

Looks like you get to keep it.


Eric just runs over to Gabriel and throws his arms around him.



Gabriel stands up slowly and glares at Dante, tossing the baseball bat to one side.


GABRIEL

We need more security.


INT. COCKTAIL BAR, TOILETS. NIGHT.


We are inside the spotless, stylish ladies toilets at a posh cocktail bar.



There are female GASPS of increasing volume coming from inside one of the cubicles.



We peer over the door. Camilla SCREAMS as Django SLAMS her up against the side of the cubicle, pushing himself further inside her.



Django's face is expressionless as Camilla thrashes around wildly, then stops, collapsing into his arms.



Django pulls himself out and pulls up his trousers while Camilla, out of breath, reaches for her handbag.


CAMILLA

Hold out your hand.


Django holds out his hand perfectly straight. Camilla taps a line of coke onto the palm and SNORTS it through a twenty-pound note.


CAMILLA

Don't fucking look at me like that. You wanted this.


DJANGO

I wanted a job.


CAMILLA

This is your job now. You do want to keep it, don't you?


Pause.


CAMILLA

I gave you everything you begged me for and I can take it all away. Just remember that.


Camilla does another line then licks Django's hand clean, before sliding it between her legs.


CAMILLA

It's not all that bad is it?


Camilla releases Django as she steps out of the cubicle to check her appearance in the mirror.



INT. COCKTAIL BAR. NIGHT.


Ralph, Helena, Toby and Jessica are sitting at a table downing cocktails. There is already an array of empties arranged in front of them.


RALPH

Where we going after this, then? The usual?


JESSICA

I'm not going to fucking Harpo's again, Ralph, I'm so fucking bored of that place.


TOBY

Where else is there?


Camilla arrives at that moment pulling Django along behind her by the hand.


CAMILLA

I heard of a place...


Camilla throws down a flier which reads 'The Dark Room'.




The Dark Room...